The wood-work was commissioned for the Dauphine who sadly never had the chance to enjoy it; only the overdoors' frames are still the same as they where when Madame de Pompadour used this chamber. Portraits of Louis XV by Charles van Loo and the Mesdames Sophie, Victoire and Louise (both by Drouais) are used to adorn the walls. Madame Adélaïde had a bust of her brother, the Dauphin, placed on the marble chimney. The chairs were created in 1770 just a year after Madame Adélaïde took over the room. The wood-work on the white panels are exquisite and inspired by flowers. Unlike many of the other ceilings at Versailles this one has not been decorated with a large painting but left bare to complement the soft décor of the bedroom.
Wednesday, 10 April 2013
Bedroom of Madame Adélaïde
Several members of the nobility used this room for different circumstances - including some of the King's favourites. In 1724 Madame de Montespan took over the room and in 1764 Madame de Pompadour died in this room. It was intended that the room should then be occupied by the Dauphine Marie-Josèphe of Saxony but she died before she could ever use the room - she lay in state in this room as well. Madame Victoire then took over the room before it was passed along to Madame Adélaïde in 1769.
The wood-work was commissioned for the Dauphine who sadly never had the chance to enjoy it; only the overdoors' frames are still the same as they where when Madame de Pompadour used this chamber. Portraits of Louis XV by Charles van Loo and the Mesdames Sophie, Victoire and Louise (both by Drouais) are used to adorn the walls. Madame Adélaïde had a bust of her brother, the Dauphin, placed on the marble chimney. The chairs were created in 1770 just a year after Madame Adélaïde took over the room. The wood-work on the white panels are exquisite and inspired by flowers. Unlike many of the other ceilings at Versailles this one has not been decorated with a large painting but left bare to complement the soft décor of the bedroom.
The wood-work was commissioned for the Dauphine who sadly never had the chance to enjoy it; only the overdoors' frames are still the same as they where when Madame de Pompadour used this chamber. Portraits of Louis XV by Charles van Loo and the Mesdames Sophie, Victoire and Louise (both by Drouais) are used to adorn the walls. Madame Adélaïde had a bust of her brother, the Dauphin, placed on the marble chimney. The chairs were created in 1770 just a year after Madame Adélaïde took over the room. The wood-work on the white panels are exquisite and inspired by flowers. Unlike many of the other ceilings at Versailles this one has not been decorated with a large painting but left bare to complement the soft décor of the bedroom.
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