The French Garden

The French gardens of the Petit Trianon were created between 1749-1753 on the initiative of Louis XV. Once the gardens were completed the king thought something else was missing; while the French gardens already included four structures none of them were inhabitable. Thus, the idea of adding another Trianon to the gardens of Versailles - one that would be smaller than the Grand Trianon. This was the beginning of the Petit Trianon. 

The French Pavilion 

Completed in 1750 by Jacques-Ange Gabriel's pavilion was different from the other shapes found around the garden. The building is focused around a rotunda with four wings; despite its small appearance it houses a boudoir, an antechamber, a lavatory, a central salon and a small room. Usually,  Louis XV would prepare coffee for his guests in this small room. A central feature is the beautiful fireplace created by Jacques Verbeckt; its frieze are marked with clear reference to the nearby menagerie: turkeys and exotic birds parade along it.

The salon is adorned with allegories of the four seasons. To the south is summer, to the north is winter, to the east is spring and to the west is autumn. 

Marie Antoinette became mistress of the French pavilion when she was gifted the Petit Trianon by her husband. She did little to change it and continued the tradition of using it as a pleasure pavilion. Every once in a while she would have tents and pavilions erected around it for amusement parties. Especially her love of music was a source of inspiration for some of these. In 1785-86 concerts and musical parties were held here.

Floor plan of the pavilion

The Cool Pavilion

At the opposite end of the French pavilion stands this lovely green trellis pavilion. It was used as a dining room during the summer. It lies to the north which is why it was dubbed the "cool" pavilion. Once more Jacques Verbekct was called into action; he was commissioned to carve out the oak panels. They were painted white and green to match the exterior. Marble was imported from Languedoc and also has a tint of green. The floor is of white and black marble.

The revolution deprived the pavilion of its furniture but records show how it was decorated in the 1770's. Two sofas with golden gilding and green/white Persian fabric, two armchairs and eighteen regular chairs. Originally, these were ordered in 1754 and finally delivered in 1760 - so by the standard of the time they were rather old.

It was recently reconstructed after having been destroyed in the 19th century. The majority of the furniture was sold during the revolution and send to the Hôtel de Luxembourg.

Choosing a King's Bride

The young Louis XV was in a very precarious situation dynastically. Both his parents and his brothers had died young due to illness and the king's health was fragile. So, a bride was vital for carrying on the French throne. Initially, an agreement had been reached with the Spanish king that Louis XV would marry Infanta Maria Anna Victoria.

The Infanta was very young, though - she was only three years old when she arrived at Versailles while Louis was eleven. She remained at Versailles for a couple of years until something happened to drastically change the situation. Louis XV's health was delicate and he became ill which prompted the Prime Minister - the Duc de Bourbon - to annul the agreement and ship the Infanta back.

The search was on for a bride who was healthy and old enough to carry an heir. A list was made of 99 princesses who would all suit as a potential queen of France. The list included the names of the princesses, their dynastic heritage, their ages (ranging from 13 to 22), their appearances, health etc. Some of these were:

Elizabeth Petrovna 

Born: 29 December 1709

Dynasty: Romanov 

Reason for rejection: Peter the Great - her father - visited Versailles and Louis XV while the king was still a boy. While in France he suggested his daughter, Elizabeth, as a bride for Louis XV. However, she was initially rejected because of her mother who had been a maid.

Became: Tsarina of Russia

Elizabeth

Princess Anne of England

Born: 2 November 1709

Dynasty: Hanover

Reason for denial: Her father - George II of England - was primarily on the throne due to being a Protestant. If Anne was to become queen of France she would have to convert which was rejected.

Became: Princess of Orange

Anne

Princess Anne Charlotte of Lorraine

Born: 17 May 1714

Dynasty: Lorraine 

Reason for rejection: the House of Lorraine was a direct rival of both the House of Orléans (which the Regent belonged to) and of the Duc de Bourbon 

Became: Abbess of Remiremont  

Anne Charlotte

Landgravine Caroline of Hesse-Rotenburg 

Born: 18 August 1714

Dynasty: Hesse-Kassel  

Reason for rejection: she was infamous for her bad temper!

Became: Duchesse de Bourbon (meaning that she married the Duc de Bourbon instead!)

Caroline

Henriette-Louise de Bourbon, Mademoiselle de Vermandois

Born: 15 January 1703

Dynasty: Bourbon (she was the sister of the Duc de Bourbon)

Reason for rejection: she refused to marry the king since she would rather join a convent 

Became: Abbess of Beaumont-lès-Tours

Princess Amelia of England

Born: 10 June 1711

Dynasty: Hanover

Reason for rejection: like her sister, Anne, she was a Protestant

Became: remained unmarried as Princess of England

Amelia

Élisabeth-Alexandrine, Mademoiselle de Sens

Born: 5 September 1705

Dynasty: Bourbon (another sister of the Duc de Bourbon)

Reason for rejection: not quite clear but possibly doing to her close relationship with her brother. Cardinal Fleury was eager that the Duc should not get more power.

Became: remained unmarried with the title of Mademoiselle de Sens

Élisabeth-Alexandrine

Princess Barbara of Portugal

Born: 4 December 1711

Dynasty: Braganza 

Reason for rejection: unknown - possibly it was considered too much of an insult to Spain

Became: Queen of Spain

Barbara

Princess Charlotte Amalie of Denmark-Norway

Born: 6 October 1706

Dynasty: Oldenburg

Reason for rejection: Denmark-Norway's tense relationship with Sweden, an ally of France

Became: remained unmarried as Princess of Denmark-Norway

Charlotte Amalie

First, the list was shortened to 17 princesses and then further reduced to four - including both sister of the Duc de Bourbon. However, Louis XV and Cardinal Fleury rejected them all and the original list had to be looked at again. Surprisingly, Marie Leszczynska had not even made it to the list of 17 candidates. The choice was considered an odd one: an impoverished second daughter of a man who had lost his throne. Add to that that she was already 22 years old. 

Nevertheless, politically it was a good choice. After the snubbing of the Infanta France had to be careful not to antagonize their neighbor further - the worst-case would be the eruption of a war. The choice was diplomatic nightmare. The English could not accommodate the conversion to Catholicism, an Austrian would upset the Spanish while a Dane would definitely create a drift between France and Sweden - as would a Russian potentially. 

Marie Leszczynska had the clear advantage of being a politically neutral choice. Since her father was no longer king of Poland he was not considered to be a danger anymore and therefore his daughter would insult few monarchs. The young woman herself was old enough to provide an heir immediately and while not considered beautiful she was warm, kind and devout.

The Aigrette

The aigrette was fashionable in most of the 18th century but also in the previous century. The term refers to either a jewelled ornament for the hair or a plume of feathers likewise attached to the coiffure. 

In the 1680's fashions once again favoured the high hairstyles which saw the reemergence of the aigrette. By this age it became common to reserve the best diamonds for those used in hats and aigrettes. Marie Louise d'Orléans - daughter of Monsieur - was a great fan of a new trend of aigrette: having inscribed words or names on the aigrette. Marie Louise had the name of her future husband, Carlos II of Spain, written in her own.

Small aigrette worn by Marie
Thérèse Raphaëlle

Marie Leszczynska is seen wearing a splendid aigrette in her state portrait. When Monsieur de Chabot married the daughter of the Duc d'Anville the bride was given a purse of 100 louis and a precious aigrette according to the Duc de Luynes. This alone shows how  popular the accessory was. The same Duc also refers to a particularly magnificent diamond aigrette owned by "the younger Madame la Duchesse" which was estimated to be worth 100.000 livres.

With the popularity of the aigrette is is little wonder that they were often used as presents. One rather odd instance was when Madame de Pompadour found out that one of the minor mistresses of Louis XV was pregnant. When the time came for the young woman to be delivered of her child the Marquise charged her lady - Madame du Hausset - with going to the convent where the birth was to take place and present her with the gift of a diamond aigrette.

Louis XVI's gift to Marie Antoinette

Marie Antoinette made the aigrette one of her first fashion statements. She was fond of real feathers which immediately became all the rage - so much so that an entirely new trade sprang up in France. This greatly angered the Dauphine's mother who scolded her daughter for it. Louis XVI made a discreet hint to spend less on the trend by gifting his wife with an aigrette made from diamonds already in his possession. 

Bathilde d'Orléans, Princesse de Condé

Born on the 9 July 1750 at Saint-Cloud Bathilde d'Orléans was the daughter of Louis Philippe d'Orléans and Louise Henriette de Bourbon. As such she was a descendant of both Louis XIV and his brother, Philippe. During the first eight years of her life she was a common fixture at court where she was known Mademoiselle being the eldest unmarried lady in the royal family. However, with the death of her mother in 1759 her father sent her to a convent.

As a young woman

Convent educations were not unheard of - Louis XV's daughters all spent their young years in convents. What was unusual was that she remained in the convent until the age of 20. The reason for this long spell was that she was initially suggested as a bride for the Duke of Parma (favourite grandson of Louis XV) but this never amounted to anything. Consequently, she had to remain cloistered for a little longer until a husband was found. 

That husband happened to be Louis Henri, Duc d'Enghien (later Prince de Condé) who was six years her junior. They were married in 1770 at the chapel of Versailles. However, their marriage had a short honeymoon. After six months Louis Henri had apparently tired of his wife and turned his attentions elsewhere. Nevertheless, Bathilde was entitled to a place at court as the Duchesse d'Enghien. From then on the couple only saw each other sporadically. 

While Duchesse de Bourbon

Despite their estranged relationship she managed to become pregnant and gave birth to the couple's only child: a son called Louis Antoine. Having thus fulfilled the purpose of their marriage the couple saw even less of each other. By 1780 Bathilde had had enough of her husband's very public and humiliating sidesteps. The one affair that turned out to be the final drop was with an opera dancer by the name of Marguerite Catherine Michelot. The couple separated and - as was usual for the time - Bathilde was blamed for the collapse of their marriage.

Being a separated wife she no longer had the right to appear at court. Undeservedly exiled, Bathilde went to her country estate Château de Chantilly. For a while she took up abode with her father and his new wife - the same woman who had allegedly insisted that Bathilde be sent to a convent. Her father died in 1785 which meant that her brother became the Duc d'Orléans. Since she could obviously no longer stay with her father she purchased house in Paris which she called the Hotel de Clermont as well as another estate, the Château de Petit-Bourg.

By Drouais

Bathilde had no intention of accepting the role society would otherwise have her play of a celibate, discarded wife. She had an affair with the Chevalier Alexandre Amable de Roquefeuil with whom she had a daughter christened Adélaide-Victoire. She had little contact with her son since by law he was the "property" of his father so it is hardly strange that Bathilde did what she could to keep her daughter close. In order for this to happen she had to pretend that Adélaide-Victoire was the daughter of her secretary. 

By 1787 she made another purchase - this time directly from Louis XVI. This time it was the Élysée Palais where she had a small hamlet built. The hamlet was heavily inspired by that at Chantilly. While living at the Élysée Palais she began studying the occult. Hitherto, she had been a very spiritual woman (a remnant of her days at the convent). Astrology, magnetism of animals, dream interpretation and chiromancy all became subjects of interest to Bathilde. Painting became another - although more traditional - pastime of hers. 

With such an open mind it is hardly surprising that the salon which she hosted became renowned for its liberality. 

Once the revolution broke out she sided with her brother and his democratic tendencies. While her husband and son fled France she remained and donated her vast wealth to the revolutionaries. During these years she became known as Citoyenne Verité - Citizen Truth. However, the new state was not a grateful one. The remaining members of the Bourbon family were arrested and imprisoned - including Bathilde. After a year and a half her brother was guillotined and everyone expected her to be next. However, she was saved by the so-called Thermidorian Reaction and restored to her residence of Élysées. Sadly, since she had given her money to the state, which then betrayed her, Bathilde was forced to rent out most of the palace. 

By 1797 she was forced to emigrated with her daughter by the new government. They were sent to Spain under the watch of French guards. One of these became her lover and she kept in contact with him during her time in Spain. While there she founded a pharmacy and a hospital where those seeking aid could find it.

Surprisingly, she did not relinquish her republican views. Initially, she had admired Napoleon but that changed once she learned that he had had her son executed. The enmity between them was further exacerbated by Napoleon keeping her from returning to France for ten whole years. When the Bourbon dynasty was restored to power un 1815 her Élysées residence was exchanged for that of the Hotel Matignon. In her usual spirit she immediately gave the property to a nunnery and charged them to pray for those executed during the revolution.

Not long after Bathilde returned to France she was met with a request from her family. They wished her to return to her husband which she promptly refused. Rather daringly, she responded by resuming the affair with the guardsman who had escorted to Spain. Their romance was to last three more years before he died.

Bathilde herself died under rather dramatic circumstances. In 1822 she was taking part in the march towards the Panthéon when she suddenly collapsed. She was immediately taken to the house of a Sorbonne-lawyer where she died.

Surprisingly, Bathilde held four titles during her life: Mademoiselle before her marriage, Duchesse d'Enghien (1770-72), Duchesse de Bourbon (1772-1818) and Princesse de Condé (1818-1822).

Court Artefacts: Books

Most members of the aristocracy had libraries of their own and their books were recognizable by the owner's coat-of-arms.

Printed in 1658 this version of Julius Caesar's military  campaigns belonged to Louis XIV





















A book from 1672 with the arms of Elizabeth-Charlotte of the Palatinate






















This seventh volume of the history of Rome bears the arms of the Grand Dauphin























Printed in 1728 in Paris this bound volume was in the library of Louis Ferdinand, son of Louis XV and Marie Leszczynska

























Another volume from 1728 which was the property of Marie Leszczynska. The title is  Office de La Semaine Sainte.

























This happens to be the same story as the one above - only this one was made in 1627 and belonged to Anne of Austria.



















Louis Ferdinand owned this book and wrote an inscription for his son - the future Louis XVI - in it

















Six volumes bearing the arms of Marie Josèphe. This is a series with the name "La Christiade"




















A red book bound in Moroccan leather with the arms of Madame de Pompadour. Her extensive collection of over 3000 volumes were primarily bound in this type of leather.






















Four books also bound in red Moroccan leather - this time belonging to Marie Antoinette. The ones in the photo are: L'office de La Sermaine Sainte (again!), Les Plaideurs, Officium Parvum B. Maria Virginis and Histoire des Celtes.
They were sold at auction.






















Madame Élisabeth owned these two volumes of Pliny the Younger bound in yellow leather.


























The memoirs of the Duc de Gramont with the arms of the Comte d'Artois.





















The Comtesse de Provence was the proud owner of this series which focus on famous people of the Antiquity.

Court Artefacts: Perfume Burners & Pot Pourri

With a comparatively poor sense of hygiene it is no wonder that Versailles during Louis XIV became known as "the perfumed court". However, even when hygiene became better the taste for perfume did not abate - just look at today. One way of using perfume was to burn it which would spread the pleasant aromas in the entire apartment.

Pot pourri vase from 1740 which belonged to Madame de Pompadour. The vase itself was imported from China and made from celadon. It was listed amongst the Marquise's property upon her death in 1764.

This magnificent piece was a present for the Duke of Saxony from Marie Josèphe - his daughter. The 470 flowers are artificial but the porcelain beneath is made for storing perfume so that the flowers could "spread" a lovely scent.

The porcelain and the gilded stand were made in Vincennes.

Agate incense burner which Marie Antoinette once owned. It was a part of the decoration of her Grand Cabinet. The burner was made around 1784 by the king's jeweller, Charles Ouizille, with the miniature being by Jacques-Joseph de Gault.

This perfume burner was originally made for the Duc d'Aumont but was acquired by Marie Antoinette following his death. This one dates back to 1782 and is by Pierre Gouthière.

Jade perfume burner owned by the Grand Dauphin, 1684-87. The gold work is made in the French fashions of the time.

Lacquer boxes used for incense - part of Marie Antoinette's extensive collection of Japanese objet d'arts.

Another work by Pierre Gouthière for the Duc d'Aumont which was later bought by Louis XVI in 1782. They were recently sold by Sothesby at auction.

Marie Antoinette's collection of Asian objet d'arts included this perfume burner. It originated in China and dates back to the Kangxi-dynasty. It entered the queen's collection in 1780.

This crack-look vase features a small compartment for perfume and was a part of the décor of Louis XV's wardrobe. It was created in 1743

GemGem